"Hysteria in Hocked ,ne'er most King Siged , 🐯🦍🐋 💤 ⭐🌚🌏 " ; ne'er most ; superlative degree of never (figure of speech)
The Fates or The Furies Randomisation
Never select a card from randomization,do it in proper succession / order / file or select from a defined group of card's like a suit or a set randomly.
Tarot cards ; Tarot cards reading ; Majore Arcana , Minor Arcana
♦ Gladstone Gleanings :- Beyond the Atlantic.... Things Civil and Things Spiritual move in their seperate spheres, without any need for an Arbiter between them.
♦ Milton :- Twilight, .... Short Arbiter I'wixt Day & Night.
♦ E.P.Whipple :- The difference between Duty & Conduct.... about measure the difference between The Real & The Actual.
COMMENT @ # ⚒️ , ➕ , ✂️
" EXCLUSIVELY PROMOTING TO Be^ HU[_]-MAN , AND THAT'S BLA.. , BLA.. , BLA.. , BLA.. , ____________ , AND BLA.. , ."
Share.... 🎶
🕳️🌑♠️🎱♣️⚫◼️ __________.
Highly obligative recommendation ,
Dear readers ,
From the business stand point we realise that no resources is as important as the human resources ,in the efforts to ensure our students have every learning advantage necessary to excell as productive of the business community in their respective fields and perhaps more importantly society, at large, we are reaching out to business leaders as in this field,in a hope that they will join us financially for our well fare, as charity in our e- learning program.
Unfortunately in these dire economic times,the ability of education system such as ours to get the tools necessary to help our students surprise all of us beyond expectations is imperiled,that is why we are asking for your concern, support & help as charitable finance so that our students may have access to simple ,yet critical learning advantage such as opportunity in public service commission globally, opportunity to gain lifelong computing and other skills via internet opportunities to compete in highly effective,productive, competitive and challenging fields of engineering and medical.
If you wish, please take a moment to indicate that you will help sponcer these community efforts with showing your enclosing response and obligations by transferring electronically some money. by "pay here " below or, in account no. 3548936039 of Bank,
For NEFT/ RTGS Transection
IFSC code - KKBK0005915
Please be sure that your financial enclosers goes to the right hands and destination,as no claim will be taken under consideration afterwards , once the payment has been made in my A/c .
Let me thank you in advance for your time and TLC supports. we are looking forward to your responses as quickly as possible.
with regards,
Vishal Jain

★ DD : Disclaimerized Depiction ; ★ 🌹🌿🕊️♠️♦️♥️🃏♣🐦 Card's Analogy 🕊️♠️♦️♥️🃏♣🐦🍀🌹 ★ The Fine Art is that in which The Hand, The Head, & The Heart of the Man go together. By RUSKIN ,two path. ★ Bohn's Handoh :- An artful fellow is the devil in a doublet . ★ LD Lindsay :- The Artless Artist seem to have worked on , from arch to arch .... without a thought.... of economising their space. ★
🙏 FORE LINES INSPIRATIONAL 👍
BRAINING THE BEAUTY ,
TRIMMING THE BEAST ;
IMAGINE BESIDES ,
TAKEN THE INCOMING BELOVED & BELIFES !!!!!!!!!
🃏🍇 Face value of motto " $ïëvêr Dëpravïty " 🍒🐓
🔏 🐒🙈🙉🙊🔏
Play Google's words coach game & improve your vocabulary.
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Lady of the lake (poem)
by sir Walter scott
Canto IV (The prophecy)
Stanza XXIX
The shade of the eve come slowly down,
The woods are wrapts in deeper brown,
Thw owl awakens from her dell,
The fox is heard upon the fell ;
Enough remains of glimmering light
To guide the wanderer's steps aright,
Yet not enough from far to show
His figure to the watchful for.
With cautious steps and ear awake,
He climbs the crag and threads the brake ;
And not the summer solstice there
Tempered the midnight mountain air,
But every breeze that swept the wold
Benumbed his drenched limb with cold
In dread, in danger, and alone,
Famished and chilled, through ways unknown,
Tangled and steep, he journeyed on ;
Till, as a rock's huge point he turned,
A watch- fire close before him burned,
🎼🎼🎼🎼🎼🎼🎼🎼🎼🎼🎼🎼🎼🎼🎼🎼🎼🎼🎼

✴️ "A king's face ; should give grace . 👉 "Ellen Douglas – Lady of the Lake. 'In listening mood, she seemed to stand, / The guardian Naiad of the strand.' (Canto I, stanza 17). ♦️ (Greek mythology) one of three sisters who were the givers of beauty and charm; a favorite subject for sculptors.🍁Aglaia - (Greek mythology) one of the three Graces; the one who harvests : 🍁 Euphrosyne - (Greek mythology) one of the three Graces; the one who brings joy : 🍁Thalia - (Greek mythology) one of the three Graces; the one who blossoms. [ (Greek mythology) the Muse of comedy and pastoral poetry.] : #@ comment ⚫ God's grace is manifested in the salvation of sinners. ◾ The Virgin lived in a state of grace. ⭕ The conception of grace developed alongside the conception of sin. ⛔ 🔺The victor's grace in treating the vanquished. 🔻
Elisabetta Sirani 💠 Elisabetta Sirani (8 January 1638 – 28 August 1665) was an Italian Baroque painter and printmaker who died in unexplained circumstances at the age of 27. She was one of the first women artists in early modern Bologna, who established an academy for other women artists. Sirani died suddenly in August 1665, in Bologna. Her death was considered suspicious and a maidservant, Lucia Tolomelli, was charged with poisoning the artist and put on trial. Suspicion fell on Tolomelli because she had requested to end her service to the family only days before Sirani's death. Giovanni Andrea Sirani withdrew the charges soon after the trial. Laura Ragg comments that Sirani died at "an age regarded as young indeed for death, but hopelessly late for marriage." Malvasia attributed her death to love-sickness because Sirani never married. Her actual cause of death was most likely the onset of peritonitis after a ruptured peptic ulcer. This may have been the result of the intense stress she was submitted to after she was charged with providing for her entire household.
Elisabetta Sirani 📍Timoclea or Timocleia of Thebes (Ancient Greek: Τιμοκλεία) is a woman whose story is told by Plutarch in his Life of Alexander, and at greater length in his Mulierum virtutes ("Virtues of Women"). According to Plutarch's biography of Alexander the Great, when his forces took Thebes during Alexander's Balkan campaign of 335 BC, Thracian forces pillaged the city, and a Thracian captain raped Timocleia. After raping her, the captain asked if she knew of any hidden money. She told him that she did, and led him into her garden, and told him there was money hidden in her well. When the Thracian captain stooped to look into the well, Timocleia pushed him down into it, and then hurled heavy stones down until the captain died.
The account of the beheading of Holofernes by Judith is given in the deuterocanonical Book of Judith, and is the subject of many paintings and sculptures from the Renaissance and Baroque periods. In the story, Judith, a beautiful widow, is able to enter the tent of Holofernes because of his desire for her. Holofernes was an Assyrian general who was about to destroy Judith's home, the city of Bethulia. Overcome with drink, he passes out and is decapitated by Judith; his head is taken away in a basket (often depicted as being carried by an elderly female servant).
Three Pears and an Apple, 1857 - National Gallery of Art. David Johnson (May 10, 1827 – January 30, 1908) was an American painter, a member of the second generation of Hudson River School painters.
Mixteca-Puebla style labret, Obsidian (Acid or granitic glass formed by the rapid cooling of lava without crystallization; usually dark, but transparent in thin pieces • Ancient cultures often used obsidian to make sharp tools and weapons.)
The title of the painting by Leonardo the Vinci, which is known in English as Mona Lisa, is based on the presumption that it depicts Lisa del Giocondo, although her likeness is uncertain. Lisa del Giocondo was a member of the Gherardini family of Florence and Tuscany, and the wife of wealthy Florentine silk merchant Francesco del Giocondo. The painting is thought to have been commissioned for their new home, and to celebrate the birth of their second son, Andrea. The Italian name for the painting, La Gioconda, means 'jocund' ('happy' or 'jovial') or, literally, 'the jocund one', a pun on the feminine form of Lisa's married name, Giocondo.
Woman Holding an Apple, also known as Portrait of a Lady, is an oil on canvas painting by Titian, made c. 1550-1555. It hangs in the National Gallery of Art, in Washington, D.C... In 1940, it was published in The Art News as "Portrait of a Lady in Green, presumably Giulia di Gonzaga-Colonna, Duchess of Traeetto". In 1941, the Duveen Brothers titled it "Portrait of Giulia di Gonzaga-Colonna [Presumed]". The tentative identification with the Italian noblewoman of that name is not accepted today, and cannot be sustained with any historical source. Indeed, it may not represent a particular woman in the traditional sense of portraiture, but rather an idealised form of female beauty. The model may be Lavinia, Titian's daughter, who is known to have posed for several of his pictures.
The Three Ages of Man (Italian Le tre età dell'uomo) is a painting by Titian, dated between 1512 and 1514, and now displayed at the Scottish National Gallery in Edinburgh. The Three Ages of Man is divided into three distinct life-stages representative each of the implications of psychological maturity that are likely to occur at each stage. At the right Cupid playfully clambers over two sleeping putti; this portion of the piece represents infancy. At the left we see young lovers about to embrace. Titian breaks chronology between life phases by placing these lovers in the far left and at the foremost distance from the viewer. This serves to emphasize the most perfect phase of life, as the lovers sit enamored on flat ground covered with the healthiest, most vibrant grass within the landscape, not having yet begun their unavoidable descent to the bottom of the hill where the old man sits.
DISCLAIMER "अस्वीकरण "
🛑 ⚠️ Disclaimer, and Privacy policies 🔏 🔴
💧🍒🍇🍅 Face value of Motto "$ïëvēr Dêpravïty"
★ Quote = Burke :- The poor word Ascendancy.... is now employed to cover to the world most rigid, and perhaps not the most wise, of all plans of policies, In plain old English, as they applied it, it signifies "Pride & Dominion" on the one part of the relation, & on the other, "Sub-Servlency & Contempt" and it signifies nothing else.
🐦 From Literature --
🍁 'Spying strangers’ is apparently to become a daily divertissement m the House — Westminster Gazette.
🍁 The va et vient behind the scenes is the most interesting feature in the House of Commons — Westminster Gazette
🍁 When the normal convention governing the relations between victors and vanquished is duly re-established, it will be time to chronicle the conjectures relating to peace in some other part of a journal than that devoted to fails divers — Times
🍁 The familiar gentleman burglar, who, having played wolf to his fellows qua financier, journalist, and barrister, undertakes to raise burglary from being a trade at least to the lupine level of those professions — Times
🍁 For this point must be borne constantly in mind — the money spent to date was spent with a view only to strategy The real development of the country qua country must begin to-day — Times
🍁 In his quality of eligible bachelor he had no objections at any time to conversing with a goodlooking girl Only he wished very much that he could orient this particular one — chockett
🍁 High society is represented by . Lady Beauminster, the half-world by Mrs Montrose, loveliness and luckless innocence by her daughter Helen — Times
🍁 The whole party were engaged ohne Rast with a prodigious quantity of Hast in a continuous social effort — E F benson
🍁 The feeling that one is an antecedentem scelestum after whom a sure, though lame, Nemesis is hobbling — thollope
The Lady of Shalott is an oil painting by the English artist William Holman Hunt, made c. 1888–1905, and depicting a scene from Tennyson's 1833 poem, "The Lady of Shalott". The painting is held by the Wadsworth Atheneum, in Hartford, Connecticut. In Tennyson's poem, the Lady of Shalott is confined to a tower on an island near Camelot, cursed not to leave the tower or look out of its windows. She weaves a tapestry, viewing the outside world only through reflections in a mirror behind her.
BASAL PLACENTAtion 🔹WAlTER 2NALdSon 💠◾Isabella and the Pot of Basil◾ is a painting completed in 1868 by the English artist William Holman Hunt depicting a scene from John Keats's poem Isabella, or the Pot of Basil. It depicts the heroine Isabella caressing the basil pot in which she had buried the severed head of her murdered lover Lorenzo.
The Shadow of Death is a religious painting by the English painter William Holman Hunt, on which he worked from 1870 to 1873, during his second trip to the Holy Land. It depicts Jesus as a young man prior to his ministry, working as a carpenter. He is shown stretching his arms after sawing wood. The shadow of his outstretched arms falls on a wooden spar on which carpentry tools hang, creating a "shadow of death" prefiguring the crucifixion. The arch of the window also creates a natural halo around the head of Christ. His mother Mary is depicted from behind, gazing up at the shadow, having been looking into a box in which she has kept the gifts given by the Magi.
Valentine Rescuing Sylvia from Proteus is an 1851 oil painting by the English artist William Holman Hunt. It depicts a scene from William Shakespeare's The Two Gentlemen of Verona. The top left and right portions of the frame include excerpts from act V, scene IV of the play. From left to right, the characters are Julia, disguised as a page, Sylvia, Valentine, and Proteus, who is in love with Julia. Sylvia's father, the Duke of Milan, and a group of followers are present in the background.
The Awakening Conscience (1853) is an oil-on-canvas painting by the English artist William Holman Hunt, one of the founders of the Pre-Raphaelite Brotherhood, which depicts a woman rising from her position in a man's lap and gazing transfixed out the room's window. Initially, the painting appears to depict a momentary disagreement between husband and wife, but the title and a host of symbols within the painting make it clear that this is a mistress and her lover. The woman's clasped hands provide a focal point and the position of her left hand emphasizes the absence of a wedding ring, although rings are worn on every other finger. Around the room are dotted reminders of her "kept" status and her wasted life: the cat beneath the table toying with a bird; the clock concealed under glass; a tapestry that hangs unfinished on the piano; the threads which lie unravelled on the floor.
SUNDIALS
A sundial is a horological device that tells the time of day (referred to as civil time in modern usage) when direct sunlight shines by the apparent position of the Sun in the sky. In the narrowest sense of the word, it consists of a flat plate (the dial) and a gnomon, which casts a shadow onto the dial. As the Sun appears to move through the sky, the shadow aligns with different hour-lines, which are marked on the dial to indicate the time of day. The style is the time-telling edge of the gnomon, though a single point or nodus may be used. The gnomon casts a broad shadow; the shadow of the style shows the time. The gnomon may be a rod, wire, or elaborately decorated metal casting. The style must be parallel to the axis of the Earth's rotation for the sundial to be accurate throughout the year. The style's angle from horizontal is equal to the sundial's geographical latitude.
The term sundial can refer to any device that uses the Sun's altitude or azimuth (or both) to show the time. Sundials are valued as decorative objects, metaphors, and objects of intrigue and mathematical study.
The passing of time can be observed by placing a stick in the sand or a nail in a board and placing markers at the edge of a shadow or outlining a shadow at intervals. It is common for inexpensive, mass-produced decorative sundials to have incorrectly aligned gnomons, shadow lengths, and hour-lines, which cannot be adjusted to tell correct time.
Sundials may indicate the local solar time only. To obtain the national clock time, three corrections are required:
🔘 The orbit of the Earth is not perfectly circular and its rotational axis is not perpendicular to its orbit. The sundial's indicated solar time thus varies from clock time by small amounts that change throughout the year. This correction—which may be as great as 16 minutes, 33 seconds—is described by the equation of time. A sophisticated sundial, with a curved style or hour lines, may incorporate this correction. The more usual simpler sundials sometimes have a small plaque that gives the offsets at various times of the year.
🔘 The solar time must be corrected for the longitude of the sundial relative to the longitude of the official time zone. For example, an uncorrected sundial located west of Greenwich, England but within the same time-zone, shows an earlier time than the official time. It may show "11:45" at official noon, and will show "noon" after the official noon. This correction can easily be made by rotating the hour-lines by a constant angle equal to the difference in longitudes, which makes this a commonly possible design option.
🔘 To adjust for daylight saving time, if applicable, the solar time must additionally be shifted for the official difference (usually one hour). This is also a correction that can be done on the dial, i.e. by numbering the hour-lines with two sets of numbers, or even by swapping the numbering in some designs. More often this is simply ignored, or mentioned on the plaque with the other corrections, if there is one.
Functioning In general, sundials indicate the time by casting a shadow or throwing light onto a surface known as a dial face or dial plate. Although usually a flat plane, the dial face may also be the inner or outer surface of a sphere, cylinder, cone, helix, and various other shapes.
The time is indicated where a shadow or light falls on the dial face, which is usually inscribed with hour lines. Although usually straight, these hour lines may also be curved, depending on the design of the sundial (see below). In some designs, it is possible to determine the date of the year, or it may be required to know the date to find the correct time. In such cases, there may be multiple sets of hour lines for different months, or there may be mechanisms for setting/calculating the month. In addition to the hour lines, the dial face may offer other data—such as the horizon, the equator and the tropics—which are referred to collectively as the dial furniture.
The entire object that casts a shadow or light onto the dial face is known as the sundial's gnomon. However, it is usually only an edge of the gnomon (or another linear feature) that casts the shadow used to determine the time; this linear feature is known as the sundial's style. The style is usually aligned parallel to the axis of the celestial sphere, and therefore is aligned with the local geographical meridian. In some sundial designs, only a point-like feature, such as the tip of the style, is used to determine the time and date; this point-like feature is known as the sundial's nodus. Some sundials use both a style and a nodus to determine the time and date.
The gnomon is usually fixed relative to the dial face, but not always; in some designs such as the analemmatic sundial, the style is moved according to the month. If the style is fixed, the line on the dial plate perpendicularly beneath the style is called the substyle, meaning "below the style". The angle the style makes with the plane of the dial plate is called the substyle height, an unusual use of the word height to mean an angle. On many wall dials, the substyle is not the same as the noon line (see below). The angle on the dial plate between the noon line and the substyle is called the substyle distance, an unusual use of the word distance to mean an angle.
By tradition, many sundials have a motto. The motto is usually in the form of an epigram: sometimes sombre reflections on the passing of time and the brevity of life, but equally often humorous witticisms of the dial maker. One such quip is, I am a sundial, and I make a botch, Of what is done much better by a watch.
A dial is said to be equiangular if its hour-lines are straight and spaced equally. Most equiangular sundials have a fixed gnomon style aligned with the Earth's rotational axis, as well as a shadow-receiving surface that is symmetrical about that axis; examples include the equatorial dial, the equatorial bow, the armillary sphere, the cylindrical dial and the conical dial. However, other designs are equiangular, such as the Lambert dial, a version of the analemmatic sundial with a moveable style.
Life forms & Emergence of Life
🍁 LIFE FORMS
(Origin of life, Avalon explosion, and Earliest known life forms)
A specific date for the origin of life has not been determined. Carbon found in 3.8 billion-year-old rocks (Archean Eon) from islands off western Greenland may be of organic origin. Well-preserved microscopic fossils of bacteria older than 3.46 billion years have been found in Western Australia. Probable fossils 100 million years older have been found in the same area. However, there is evidence that life could have evolved over 4.280 billion years ago. There is a fairly solid record of bacterial life throughout the remainder (Proterozoic Eon) of the Precambrian.
Complex multicellular organisms may have appeared as early as 2100 Ma. However, the interpretation of ancient fossils is problematic, and "... some definitions of multicellularity encompass everything from simple bacterial colonies to badgers." Other possible early complex multicellular organisms include a possible 2450 Ma red alga from the Kola Peninsula, 1650 Ma carbonaceous biosignatures in north China, the 1600 Ma Rafatazmia, and a possible 1047 Ma Bangiomorpha red alga from the Canadian Arctic. The earliest fossils widely accepted as complex multicellular organisms date from the Ediacaran Period. A very diverse collection of soft-bodied forms is found in a variety of locations worldwide and date to between 635 and 542 Ma. These are referred to as Ediacaran or Vendian biota. Hard-shelled creatures appeared toward the end of that time span, marking the beginning of the Phanerozoic Eon. By the middle of the following Cambrian Period, a very diverse fauna is recorded in the Burgess Shale, including some which may represent stem groups of modern taxa. The increase in diversity of lifeforms during the early Cambrian is called the Cambrian explosion of life.
While land seems to have been devoid of plants and animals, cyanobacteria and other microbes formed prokaryotic mats that covered terrestrial areas.
Algal mats are one of many types of microbial mat that forms on the surface of water or rocks. They are typically composed of blue-green cyanobacteria and sediments. Formation occurs when alternating layers of blue-green bacteria and sediments are deposited or grow in place, creating dark-laminated layers. Stromatolites are prime examples of algal mats. Algal mats played an important role in the Great Oxidation Event on Earth some 2.3 billion years ago. Algal mats can become a significant ecological problem, if the mats grow so expansive or thick as to disrupt the other underwater marine life by blocking the sunlight or producing toxic chemicals.
Tracks from an animal with leg-like appendages have been found in what was mud 551 million years ago.
🍁 Emergence of life
The RNA world hypothesis asserts that RNA evolved before coded proteins and DNA genomes. During the Hadean Eon (4,567–4,031 Ma) abundant geothermal microenvironments were present that may have had the potential to support the synthesis and replication of RNA and thus possibly the evolution of a primitive life form. It was shown that porous rock systems comprising heated air-water interfaces could allow ribozyme-catalyzed RNA replication of sense and antisense strands that could be followed by strand-dissociation, thus enabling combined synthesis, release and folding of active ribozymes. This primitive RNA replicative system also may have been able to undergo template strand switching during replication (genetic recombination) as is known to occur during the RNA replication of extant coronaviruses.